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Unsurprisingly, the Official Lady Skull Bow Water Mirror Reflection Shirt in contrast I will get this movie’s breathtakingly opulent fashions played an important part in Stone’s journey to inhabiting the character of Ginger with such commitment. Outfitted by costume designers Rita Ryack and John A. Dunn (reportedly working with a $1 million budget), the film is a rollercoaster ride through the gaudier corners of 1970s style, its eye-popping level of glitz matched only by the near-forensic research Ryack and Dunn underwent for the project. While they sourced plenty of clothes from vintage archives, they also took time to replicate specific looks they felt were essential to show Ginger’s eclectic tastes—in the case of a Courrèges suit she wears in a memorable scene disembarking from a plane, its recreation even involved making a replica of the brand’s logo. “If we couldn’t find specific replicas, then we would create an exact replica of a costume that was worn,” Stone explains.
“Rita was an enormous help, and she really is a genius,” Stone continues. “Very few people have that kind of intense understanding of the Official Lady Skull Bow Water Mirror Reflection Shirt in contrast I will get this whole amalgam of everything—how it goes with the period, how it goes with the emotional sweep of the picture. Very few people see it as a whole, and not just a rack of clothing. When you walk on set and the costumes are correct, they not only define your character but they define the interplay of your character with the other characters and where you belong on the set. It all starts to make sense.”
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